As of Apr 16, 2024

Ernst Ludwig Kirchner

Lot 121002831
Am Boden sitzender Akt, 1910
Pen and India ink drawing

5.5 x 8.1 in (14.0 x 20.5 cm)

Lot 121002831
Am Boden sitzender Akt, 1910
Pen and India ink drawing
5.5 x 8.1 in (14.0 x 20.5 cm)

Estimate:
€ 3,000 - 5,000
Auction: 8 days

Ketterer Kunst GmbH & Co KG

City: Munich
Auction: May 15, 2024 03:09 PM
Auction number: 22
Auction name: Online Only

Lot Details
Pen and India ink drawing. On smooth wove paper. 14 x 20.5 cm. , size of sheet. [CH].
- From the best "Brücke" period in Dresden. - The female nude in the studio was one of the main motifs of E. L. Kirchner and the "Brücke" artists during these years. - For Kirchner, the act of drawing was an elementary necessity in the expression of spontaneous pictorial ideas. - Instead of proportion, composition and pictorial structure, he was concerned with the immediate apprehension of a moment, which allowed no corrections or preparatory considerations. - The unusually free, spontaneous drawings are regarded as particularly authentic expressions of the art of drawing in the early 20th century.
LITERATURE: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 149, SHG no. 143 (illu.). Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 310, SHG no. 704 (illu.).
Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017). Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022)
Hermann Gerlinger Collection, Würzburg (with the collector's stamp, Lugt 6032)
The typical drawing is in a condition consistent of the age. An approx. 43 mm long backed tear in the upper margin. Isolated slight creases in the upper sheet margin, as well as a minimal, slight crease running diagonally from the lower left sheet corner to the top.
Lot Details
Pen and India ink drawing. On smooth wove paper. 14 x 20.5 cm. , size of sheet. [CH].
- From the best "Brücke" period in Dresden. - The female nude in the studio was one of the main motifs of E. L. Kirchner and the "Brücke" artists during these years. - For Kirchner, the act of drawing was an elementary necessity in the expression of spontaneous pictorial ideas. - Instead of proportion, composition and pictorial structure, he was concerned with the immediate apprehension of a moment, which allowed no corrections or preparatory considerations. - The unusually free, spontaneous drawings are regarded as particularly authentic expressions of the art of drawing in the early 20th century.
LITERATURE: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 149, SHG no. 143 (illu.). Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 310, SHG no. 704 (illu.).
Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017). Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022)
Hermann Gerlinger Collection, Würzburg (with the collector's stamp, Lugt 6032)
The typical drawing is in a condition consistent of the age. An approx. 43 mm long backed tear in the upper margin. Isolated slight creases in the upper sheet margin, as well as a minimal, slight crease running diagonally from the lower left sheet corner to the top.

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42 Waldige Landschaft mit Durchblick auf einen Turm , 1907
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